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Typically, in these studio works, he alters details and overall proportions for compositional reasons, while, for expressive purposes, he incorporates within a particular work details from his studies of other artefacts.
He strives to realise images of speculation and mystery that connect viewers, via their own imaginations, with some ancient, mythic past.
The maritime history is rich, linking many aspects of early Hobart and its whaling industry as it was one of the whaling capitals of the world.
All of the convicts arriving in Tasmania disembarked their ships in the Cove and their first steps on Tasmanian land would have been at Old Wharf, which is what Hunter Street was originally named.
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His own work consists mainly of drawing, although he also works periodically as a sculptor and installation artist.
The Foyer artworks at The Henry Jones were installed on December 4th, 2009.
WOVEN GATHERING BASKET: Sullivans Cove, Hobarts waterfront precinct, was inhabited by the Mouheneer for at least a thousand generations.
Their inherent connection to the land runs deeply, bypassing the changes over the last two centuries, and it is through the use of arts and traditional craft that enables them to keep their culture flourishing.